Direction without artificial deadlines.

The facial and vertex morph pipeline, and a master clock with timecode lock, both landed. Extended UV morphs remain outstanding.

Depth of field with autofocus, and a tile-based motion blur pipeline in the EEVEE-like backend. Motion blur ships off by default.

Audio playback works. Driving the transport from audio — the requirement for concert and lip-sync work — is still open.

A multi-view camera contract is the gate for VR and AR hosts. Small now, much larger if deferred until after other camera work.

An OSC-to-command bridge so VJ and show-control systems can drive the engine live.

Volumetric concert lighting, video output for VJ pipelines, and mocap input with pose retargeting.